The 55th Chicago International Film Festival tonight
announced during a ceremony at Chez, 247 E Ontario St., the winners of
the Festival’s diverse competitions. Prizes were awarded to films in the
following categories: International Feature Film Competition; New Directors
Competition; International Documentary Competition; Out-Look Competition; and
Short Film Competition. The Chicago Award and the Founder’s Award were also
presented.
Taking home the top prize in the International Feature Film
Competition is Portrait of a Lady on Fire (France) by director Céline
Sciamma, hailed by the jury as a portrayal of the all-consuming
nature of love and the beauty of women’s solidarity. The Silver Hugo Jury Award
was presented to Vitalina Varela (Portugal) directed by Pedro
Costa, while the Silver Hugo for Best Director was awarded to Maya
Da-Rin for her film The Fever (Brazil/France/Germany).
“It is our honor and pleasure to present a lineup of films that
surprise, move and inspire our audiences at the Festival,” said Artistic
Director Mimi Plauché. “The diverse, dynamic group of award recipients
from the 55th edition of the Festival serves as a celebration of excellence in
filmmaking and the power of cinema to bring people together, introduce us to
new worlds and cultures, and remind us of our shared human experience.”
International Feature Film Competition
Gold Hugo
Portrait of a Lady on Fire
Dir. Céline Sciamma
France
The Gold Hugo for Best Film goes to Portrait of a Lady on
Fire by Céline Sciamma. The film portrays not only the exuberance of
falling in love and the all-consuming nature that is love, but also the beauty
of women’s solidarity and the attempt to fit in a world that rarely seems to be
made for them. The strength of the filmmaking combined with amazing acting,
photography, and music set the jury on fire.
Silver Hugo: Jury Award
Vitalina Varela
Dir. Pedro Costa
Portugal
The Silver Hugo Jury Award goes to Pedro Costa’s Vitalina
Varela, for a ravishing and masterful vision between horror and
melodrama, spirituality and desperation that blew the jury all away.
Silver Hugo: Best Director
Maya Da-Rin
The Fever
Brazil/France/Germany
The Silver Hugo for Best Director goes to Maya Da-Rin for
her debut fiction feature The Fever. The film drifts between dream and
reality, portraying with both tenderness and precision the world of an
indigenous father and daughter in the north of Brazil. It takes us into the
family and their hearts, but never forgets the importance of the political
context.
Silver Hugo: Best Actress
Debbie Honeywood
Sorry We Missed You
UK/France/Belgium
The Silver Hugo for Best Actress Award goes to Debbie Honeywood
in Sorry We Missed You. The jury was struck by the courage and splendid
tone of her performance. The style in which she portrays mother, wife, and
home-care nurse shows immaculate taste and dedication.
Silver Hugo: Best Actor
Bartosz Bielenia
Corpus Christi
Poland/France
The Silver Hugo for Best Actor goes to Bartosz Bielenia in Corpus
Christi. The jury found impressive force and unanticipated choices in
his performance; he charmingly builds Daniel, a character whose embrace of
dishonesty becomes a kind of integrity.
Best Screenplay
Pema Tseden
Balloon
China
The Award for Best Screenplay goes to Balloon by
Pema Tseden. The film is a gorgeously intimate family drama mixed with humor
and sorrow which surprised and moved the jury while bringing us closer to one
of the most rural areas in the world.
Best Cinematography
Vladimir Smutny
The Painted Bird
Czech Republic/Ukraine/Slovak Republic
The Award for Best Cinematography goes to Vladimir Smutny for The
Painted Bird. The film elicited much discussion among the jury for its
portrayal of ghastly events that the young protagonist endures throughout the
film, evoking a strong sense of sadness and helplessness without hope for
resolution. However, the black and white photography and framing was so strong
that it made it impossible to look away.
Best Sound Design
Fire Will Come
Spain/France/Luxembourg
The Award for Best Sound Design goes to Fire Will Come
by director Oliver Laxe. The sound design, which employs music with natural and
man-made sounds, sometimes indistinguishably, is at once sensitive and dynamic,
ennui-filled and dignified, reminding the viewer of the complex and
contradictory relationship that humans have to the natural environment.
Selected by International Feature Film Competition jurors Gabor
Greiner, Tatiana Leite, Tetsuya Mariko, Cosmina Stratan and Jennifer Reeder.
New Directors Competition
Gold Hugo
Litigante
Dir. Franco Lolli
France/Colombia
The Gold Hugo goes to Litigante directed by Franco
Lolli. This second feature from the Colombian director is a searing portrait of
family ties and multi-generational motherhood. The jury was moved by the film’s
emotional complexity, nuance, and authenticity, as the movie pulled us all
through the turbulent and tender push and pull of the family life, work life,
and love life of the film’s central character. We award this film the top prize
of the New Directors category also for its mastery of craft in writing, acting,
camera, and editing, but ultimately for its eloquent balance of hope and loss,
and for its unmistakable bravery.
Silver Hugo, Ex Aequo
Bombay Rose
Dir. Gitanjali Rao
India/UK/Qatar/France
The Silver Hugo, ex aequo, goes to Bombay Rose, the
directorial debut of Gitanjali Rao. A dreamy, lush animated film with a rich
aesthetic palette, it captivated the jury with its multigenerational story of
longing, hope, love, belief, and family. The film’s striking hand-painted
visuals alternately juxtapose Bollywood spectacle with Hindu symbolism and
Islamic heroic iconography; we found its haunting soundtrack of traditional and
contemporary Hindi, Persian and Urdu songs equally complex and affecting. The
result is a formally and narratively ambitious tapestry that centers on
star-crossed loves, yet lingers poignantly amidst multiple intersecting stories
and perspectives with finely textured details that are as exquisite as the
whole.
Silver Hugo, Ex Aequo
Our Mothers
Dir. César Díaz
Guatemala/Belgium/France
The Silver Hugo, ex aequo, goes to Our Mothers. The
film’s quasi-documentary style maps a young man’s intense confrontation with
Guatemala’s post-civil war national reckoning and its implications for his
life, his livelihood, his family, and his very identity. The jury was moved by
the stakes of the storytelling and the film’s sense of urgency, as well as by
director Cesar Diaz’s delicate and empathetic engagement with the meanings and
boundaries of personal agency, trauma, and family.
Roger Ebert Award
Adam
Dir. Maryam Touzani
Morocco/France/Belgium
The Roger Ebert award goes to Adam
(Morocco/France/Belgium), directed by first-time Moroccan director Maryam
Touzani. This beautifully constructed film, set in modern day Casablanca,
celebrates sisterhood and motherhood, grief and redemption through the story of
a homeless pregnant woman taken in by a stoically grieving widow, herself the
mother of an 8-year-old girl. The film is well-crafted and sensitively paced.
The director gives space for both leads to have equally strong performances,
and they don’t disappoint. We select this film for The Roger Ebert
Award and commend the director’s ability to create an exceptionally
intimate film with palpable empathy and brilliant uses of space, lighting,
casting and writing.
Selected by New Directors Competition jurors Melika Bass, Miriam
J. Petty, and Sonia Smith-Evans.
Documentary Competition
Gold Hugo
Love Child
Dir. Eva Mulvad
Denmark
Love Child is a film that intimately explores the
global refugee crisis through the story of an Iranian family waiting in Turkey
for news of their asylum status. Spanning events over seven years, Eva Mulaved
constructs a seamless dramatic narrative out of unforeseen circumstances. Love
Child champions a family everyone would fight for, ultimately connecting
the dots from sensational headlines to the human toll of contemporary
immigration policies.
Silver Hugo
Ringside
Dir. André Hörmann
Germany/U.S.
The Silver Hugo goes to Ringside, a coming
of age drama about two Chicago boxing hopefuls whose paths diverge. Filmmaker
Andre Hörmann’s creative approach to weaving accomplished cinematography,
elevated sound design and the use of archival footage creates a compelling
portrait of two father son relationships rooted in love rather than winning.
Special Mention
Waiting for the Carnival
Dir. Marcelo Gomes
Brazil
The Honorable Mention goes to Waiting for the Carnival,
an expertly crafted tale about the city of Toritama and neo-liberal capitalist
approach. Gomez pushes the bounds of traditional filmmaking tools to create
visual poetry out of nonstop labor. We want to give this film an Honorable
Mention because we believe that all storytellers should be utilizing filmmaking
tools to their fullest extent.
Selected by Documentary Competition jurors Abby Lynn Kang Davis,
Christy LeMaster, and Martina Melilli.
Out-Look Competition
Gold Q-Hugo
And Then We Danced
Dir. Levan Akin
Georgia/Sweden/France
A tender and warm film that expertly depicts the great heights of
ecstasy and the dark depths of first love and desire set in a place we have
rarely seen on film. Masterful direction and surprising first performances from
the lead actors take you on a journey into the stiff competition of the
traditional Georgian dance world and into the lives of the beautiful dancers
who inhabit it. Against the abrasive backdrop of a conservative society, this
gorgeously lensed film explores themes of fragile masculinity and sexuality in
a way that is refreshing, organic and powerful.
Silver Q-Hugo
Portrait of a Lady on Fire
Céline Sciamma
France
Portrait of a Lady on Fire is a beautiful and
elegant period film that unfolds from its first frame in a warm yet
suffocatingly cold fashion. Subtle yet powerful performances surround the lead
who is a force to be reckoned with. We are all trapped in her gaze as each
scene slowly builds towards the ultimate and inevitable climax that yearns
towards a feminism yet to come.
Special Mention
Knives and Skin
Dir. Jennifer Reeder
U.S.
With a uniquely dry and campy sense of humor, this film drops you
right into a weird world whose wild rules and dark, yet color-blasted,
aesthetics are striking but never questioned. Beautiful cinematography,
lighting, production design and solid performances help this film create an
idiosyncratic, distinctive tone that is comparable to many cult films before
it, yet truly all its own. The final result of all of these ingredients is a
welcome voice in cinema that is at once both vintage and the future, and we
hope that there are many more films to come from writer and director Jennifer
Reeder.
Selected by Q-Hugo jurors Matthieu Dupas, Morgan Jon Fox, and
Kara Keeling.
Live Action Short Film Competition
Gold Hugo
Liberty
Dir. Faren Humes
USA
The Gold Hugo is awarded to Liberty (USA), directed
by Faren Humes. A halcyon meditation on coping, it brings us into the world of its
two young protagonists in the aftermath of a tragic incident. Its use of
ruminative compositions and deliberate pacing provide distinct insights into
the deeply personal experience of grief.
Silver Hugo
Aziza
Dir. Soudade Kaadan
Syria/Lebanon
The Silver Hugo is awarded to Aziza
(Syria/Lebanon), directed by Soudade Kaadan. Playful yet poignant, this compact
work follows a husband and wife, presumed to be Syrian refugees now living in
Lebanon, as he teaches her how to drive in his beloved red Volkswagen Bug,
named Aziza. What seems like a simple driving lesson becomes an
imaginative—albeit fraught— journey toward acceptance.
Selected by Live Action Short Film Competition jurors James Choi,
Christopher Rejano, and Kathleen Sachs.
Documentary Short Film Competition
Gold Hugo
Easter Snap
Dir. RaMell Ross
U.S.
Easter Snap masterfully discusses nuanced
socio-political and economic realities in the southern United States through
the lens of community ritual. Letting his edit lead the story as opposed to
relying on traditional documentary tropes or narrative, Ross creates an
innovative style as mystical as it is hyper-real.
Silver Hugo
The Furniture Maker
Dir. David Avilés
Cuba
Simultaneously heartfelt and conceptually innovative, The
Furniture Maker combines styles of video diary and observational
documentary to create a one of a kind story of familial love. Following his
father with the camera, and in turn, his father following him, Avilés crafts an
intimacy that translates through the video texture itself.
Selected by Documentary Short Film Competition jurors Emily Eddy,
Kevin Shaw, and Jake Zalutsky.
Animated Short Film Competition
Gold Hugo
And Then the Bear
Dir. Agnès Patron
France
A young boy conjures a fierce bear to cope with his defiance and
familial jealousy. Combining phantasmagoric imagery with an unusual Freudian
narrative, director Agnes Patron expertly blends narrative and experimental
techniques to convey a cohesive, nightmarish manifestation of inner turmoil.
Silver Hugo
I Bleed
Dir. Tiago Minamisawa, Bruno H Castro, Guto BR
Brazil
Beautifully poetic in narration and style, I Bleed utilizes
a powerful collage of mixed media to tell the intimate personal journey of one
man’s experience living with HIV. The film is a tragic-yet-hopeful meditation
on the healing power of art.
Selected by Animated Short Film Competition jurors Shelley Lynn
Dodson, Ozge Samanci, and Jim Vendiola.
Chicago Award
Tour Manager
Dir. Ed Flynn
U.S.
The award goes to Tour Manager directed by Edmund Flynn. Nothing
says youth like a band on a couch tour and nothing says adulthood like having a
child. That juxtaposition is not lost on the title character as she navigates
both. This masterful illustration of the choices the manager has made and how
she navigates what culture and society want from a mom is what makes this
deceptively simple, yet poignant, story ring loudly with truth.
Selected by Chicago Award jurors McKenzie Chinn, Mike Paulucci,
and Risé Sanders-Weir.
Founder’s Award
Director Martin Scorsese and his film The Irishman.
This award marks the first presented to Martin Scorsese from the
Chicago International Film Festival. The Festival, which launched Scorsese’s
film career in 1967, was also where the late Roger Ebert first saw his film – a
pivotal moment for them both.
The Irishman brings many of the familiar Scorsese themes
full circle. His mastery of the cinema is fully visible in this film through
stellar performances from Joe Pesci, Robert De Niro and Al Pacino.
The Irishman
and Martin Scorsese truly capture the spirit of why the Chicago International
Film Festival was founded 55 years ago.
Selected by Chicago International Film Festival founder Michael
Kutza.
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